{"id":2044,"date":"2021-08-16T12:28:48","date_gmt":"2021-08-16T12:28:48","guid":{"rendered":"https:\/\/inforgfilm.org\/filmek\/koltais-diary-2001-2003\/"},"modified":"2021-09-23T09:20:55","modified_gmt":"2021-09-23T09:20:55","slug":"koltais-diary-2001-2003","status":"publish","type":"filmek","link":"https:\/\/inforgfilm.org\/en\/filmek\/koltais-diary-2001-2003\/","title":{"rendered":"Koltai`s diary 2001-2003"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The makers of this unusual portrait film joined up with the well-known Hungarian cinematographer around the time of the Academy Award \u00ae nominations. It was a lucky moment. The pendulum of Koltai\u2019s career after Sunshine and Mal\u00e9na seems to be swinging towards European films again. The last chapter of the Diary gives viewers a look at preparations for the film adaptation of Nobel Prize-winning author Imre Kert\u00e9sz\u2019s novel, Fateless. In Koltai\u2019s Diary we may hear the recollections and accounts of the following: L\u00e1szl\u00f3 Kov\u00e1cs, Vilmos Zsigmond, Gy\u00f6rgy Ill\u00e9s, Vittorio Storaro, Roberto Benigni, Giuseppe Tornatore, Istv\u00e1n Szab\u00f3, Gyula Ma\u00e1r, Mari T\u00f6r\u00f5csik, Imre Kert\u00e9sz and others.makes a living from \u201ejunking,\u201d meaning, they import treasures considered junk in the West and pass it on as valuable second-hand goods in the 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