{"id":4411,"date":"2021-09-03T09:08:18","date_gmt":"2021-09-03T09:08:18","guid":{"rendered":"https:\/\/inforgfilm.org\/exchibition-catalogue\/"},"modified":"2022-02-03T16:02:16","modified_gmt":"2022-02-03T15:02:16","slug":"exhibition-catalogue","status":"publish","type":"page","link":"https:\/\/inforgfilm.org\/en\/exhibition-catalogue\/","title":{"rendered":"exhibition catalogue"},"content":{"rendered":"\t\t
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\"konyv-fejleckepek-sarga1-1920x800\"<\/figure><\/div>
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\"konyv-fejleckepek-sarga6-1920x800\"<\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The exhibition is accompanied by a catalogue of 12 essays, which is the first to provide a thorough overview of Inforg Studio and the Hungarian avant-garde filmmakers’ cultural context of the 2000s. Essays by Hungarian and American film theorists, academics and film critics explain why Inforg Studio’s palette is the most colourful of the era and why it is worth remembering as a 21st century heir of the Hungarian avant-garde filmmaking tradition.<\/p>\n

The authors of the book: Gy\u00f6rgy B\u00e1ron, Janka Bark\u00f3czi, G\u00e1bor Gelencs\u00e9r, Ferenc Hammer, B\u00e1lint Kov\u00e1cs Andr\u00e1s, P\u00e9ter Lichter, Andr\u00e1s M\u00fcllner, Catherine Portuges, Jonathan Rosenbaum, L\u00f3r\u00e1nt St\u0151hr, Bal\u00e1zs Varga, Ter\u00e9z Vincze.<\/p>\n

Edited by: Brigitta Iv\u00e1nyi-Bitter PhD, curator of the exhibition<\/p>\n

Publisher: Zolt\u00e1n Prosek, Director, Ferenczy M\u00fazeumi Centrum, Szentendre<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Watch the book launch!<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Conversation with Catherine Portuges<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Conversation with Jonathan Rosenbaum<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Book launch at the \u00cdr\u00f3k boltja<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Have a look at the book for a taste! If you like it, you can order it here.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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<\/div><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tbuy the book<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

The exhibition is accompanied by a catalogue of 12 essays, which is the first to provide a thorough overview of Inforg Studio and the Hungarian avant-garde filmmakers’ cultural context of the 2000s. Essays by Hungarian and American film theorists, academics and film critics explain why Inforg Studio’s palette is the most colourful of the era […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4411","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/inforgfilm.org\/en\/wp-json\/wp\/v2\/pages\/4411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inforgfilm.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/inforgfilm.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/inforgfilm.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/inforgfilm.org\/en\/wp-json\/wp\/v2\/comments?post=4411"}],"version-history":[{"count":22,"href":"https:\/\/inforgfilm.org\/en\/wp-json\/wp\/v2\/pages\/4411\/revisions"}],"predecessor-version":[{"id":6932,"href":"https:\/\/inforgfilm.org\/en\/wp-json\/wp\/v2\/pages\/4411\/revisions\/6932"}],"wp:attachment":[{"href":"https:\/\/inforgfilm.org\/en\/wp-json\/wp\/v2\/media?parent=4411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}