{"id":4433,"date":"2021-09-03T09:21:02","date_gmt":"2021-09-03T09:21:02","guid":{"rendered":"https:\/\/inforgfilm.org\/interview-with-the-directors\/"},"modified":"2021-09-22T16:06:48","modified_gmt":"2021-09-22T16:06:48","slug":"interview-with-the-directors","status":"publish","type":"page","link":"https:\/\/inforgfilm.org\/en\/interview-with-the-directors\/","title":{"rendered":"interview with the directors"},"content":{"rendered":"\t\t
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Inforg Studio was a key player in the boom of Hungarian short and feature film production around the turn of the millennium, a real workshop producing hundreds of experimental and short feature films. Inforg Studio’s short films are proof that it is freedom, the almost total absence of formal constraints, that allows the widest scope for creativity. The short film is the haute couture of cinematographic thought: it is not bound by the rules of the confection or the time-frame of the film, but only by the idea, the creativity and the amount of money available, but the latter is not necessarily a limit, because with less money another idea, adapted to the size, can be realized just as demanding and successful. One of the driving forces behind the whole story of Inforg Studio is the dynamic between short and feature film, building from the short to the long format. The many successes, both in terms of festival awards and audience attention, and the organic development of successful short filmmakers into successful feature film directors, have made Inforg Studio one of the most influential film studios of the millennium. A real team where filmmakers with a passion for film came together, found support and encouragement, and got help to make a film, however strange of an idea it was. So that what was made would not remain invisible, and what was valuable would not be left without a sequel. The great loss of Hungarian film is that this team has been disbanded, the workshop in its former form has disappeared.<\/p>\n

Ter\u00e9z Vincze, excerpt from her essay for the exhibition catalogue, The haute couture of cinematic thought, p. 108.<\/p>\n

The exhibition is accompanied by portrait films with the filmmakers of Inforg Studio, Viktor Bod\u00f3,<\/a>\u00a0Krisztina B\u00f3dis,<\/a>\u00a0Tam\u00e1s Buv\u00e1ri,<\/a>\u00a0Andr\u00e1s Gy\u00f6rgy D\u00e9si,<\/a>\u00a0G\u00e1bor M\u00f3ray,<\/a>\u00a0Cec\u00edlia Felm\u00e9ri,<\/a>\u00a0Benedek Fliegauf,<\/a>\u00a0Marcell Iv\u00e1nyi,<\/a>\u00a0S\u00e1ndor Kardos,<\/a>\u00a0Zolt\u00e1n K\u00e1lm\u00e1nchelyi,<\/a>\u00a0Ang\u00e9la Stefanovics,<\/a>\u00a0Zsolt V\u00e9gh,<\/a>\u00a0B\u00e1lint Kenyeres,<\/a>\u00a0R\u00f3bert Lakatos,<\/a>\u00a0Andr\u00e1s Muhi,<\/a>\u00a0Andr\u00e1s Pires Muhi,<\/a>\u00a0Lehel Ol\u00e1h,<\/a>\u00a0P\u00e9ter Politzer,<\/a>\u00a0Anita S\u00e1rosi,<\/a>\u00a0Istv\u00e1n Szaladj\u00e1k,<\/a>\u00a0Attila Till,<\/a>\u00a0\u00c1gota Varga,<\/a>\u00a0M\u00e1rton V\u00e9csei,<\/a>\u00a0Roland Vranik,<\/a>\u00a0which show what the spirit of this flourishing film workshop meant to the generation that started out in the 2000s.\u00a0L\u00e1szl\u00f3 Hartai,<\/a> Kl\u00e1ra Muhi<\/a> and Andr\u00e1s Muhi<\/a> talk about the birth of Inforg studio. An interview with L\u00e1szl\u00f3 Nemes-Jeles is on display at the exhibition.<\/p>\n

The portrait films were made by Erika Kapronczai, film director, in the summer of 2021.<\/p>\n

The accompanying texts were written by Brigitta Iv\u00e1nyi-Bitter PhD, curator of the exhibition.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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